Free Download Shakespeare for One: Women: The Complete Monologues and Audition Pieces

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Shakespeare for One: Women: The Complete Monologues and Audition Pieces

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About the Author

Among many other things, Douglas Newell has acted professionally on stage, film, and television. While earning an M.F.A. in Acting from U.C.L.A., he couldn't help but notice the need for a more comprehensive and actor-friendly collection of classical monologues. Enter, Shakespeare for One.

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Product details

Paperback: 192 pages

Publisher: Heinemann Drama (September 18, 2002)

Language: English

ISBN-10: 0325004870

ISBN-13: 978-0325004877

Product Dimensions:

6 x 0.5 x 9 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#908,073 in Books (See Top 100 in Books)

Although it does not contain the most widely-used Shakespeare monologues --and for good reason, as so many are overused-- it does contain some great ones, along with translation/context notes for those pesky early-English words and phrases whose meanings so often elude us. A valuable resource!

Exceptional for audition material! Each monologue has a brief foreword that helps set the scene/character/story, which is immensely helpful.

For actors who find themselves preparing for auditions for casting directors who want a melange of materials to show off their talents, this book does the trick. Monologues easiy categorized by length and topic, tragic to comic, it has made my life easier. And anyone who makes my life easier is a sidekick of mine. Thanks to the author for seeing a need to be filled and satisfying that need with insight that only one who has been there can truly know.

After searching lots of texts and coming up with maybe 1/4 of what this book has..... I am truly thrilled. It has a fantastic selection for women -- known and unknown monologues.

this book helped me out for my midterm and final

This is the best Shakespeare monologue book ever. hands down. no question. It has every single woman's monologue that you could ever dream of. I love it!! It has helped me SO much with every audition I have done.

I've been looking for a book like this for a long time. It's a great resource for actors! Really has helped me with auditions.

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Download PDF Don't Know Much About History, Anniversary Edition: Everything You Need to Know About American History but Never Learned (Don't Know Much About Series), by Kenneth C. Davis

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About the Author

Kenneth C. Davis is the New York Times bestselling author of A Nation Rising; America's Hidden History; and Don't Know Much About® History, which spent thirty-five consecutive weeks on the New York Times bestseller list, sold more than 1.6 million copies, and gave rise to his phenomenal Don't Know Much About® series for adults and children. A resident of New York City and Dorset, Vermont, Davis frequently appears on national television and radio and has been a commentator on NPR's All Things Considered. He blogs regularly at www.dontknowmuch.com.

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Product details

Series: Don't Know Much About Series

Paperback: 752 pages

Publisher: Harper Paperbacks; Anniversary ed. edition (May 8, 2012)

Language: English

ISBN-10: 0061960543

ISBN-13: 978-0061960543

Product Dimensions:

5.3 x 1.2 x 8 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

329 customer reviews

Amazon Best Sellers Rank:

#119,754 in Books (See Top 100 in Books)

The book is exactly what it claims to be - a brief recap of the significant periods, events, and people of US history. None of the sections tell you the whole story, but there are some decent references for further reading, and I found that browsing Wikipedia and a world map while reading helped me fill in some gaps. Some content gets repeated (especially in the timelines of wars, etc) and some sections are oddly short (for instance, the Tonkin Incident section doesn't actually describe what happened, although it was later discussed in a timeline), but those aren't major issues. I liked the references back and forth through history that show larger patterns, cycles, and causes, and I appreciate the sustained attention paid to systemic inequalities, especially for blacks and women, that have persisted through US history.This is my first Kindle book (I'm reading it on a mac) so maybe this is an issue of the medium, but I find the formatting pretty clunky, and the lack of photos, images, and maps is unfortunate.

Where else can you get an easy-to-read overview of 500 years of American history--from who really discovered America to how we elected our first black president--and have FUN reading it? I saw author Kenneth C. Davis interviewed on CNN and was mesmerized by what he had to say and how he said it. When they flashed his credentials on the screen as the author of this book, I bought it immediately. This isn't your high school or college history textbook. This one is so much fun you might even stay up past your bedtime reading it! Quite simply, read this book and you'll be quite literate when it comes to the big facts about our nation's past--whether you want to win at Trivial Pursuit, impress someone at a cocktail party or (most important) develop an understanding of why and how things happened THEN that deeply impact our NOW.

Love this book. I'm about halfway through it and I can tell you that it's highly readable, entertaining and captivating. While sharing what some would think are arcane facts about our history, author Kenneth C. Davis presents the human part of our history so we get a much clearer picture of how we've arrived at this point. (NOTE: We're not always heroes in this life--we're just humans doing the best we can do at the time. This is a marvelous book and I highly recommend it!

I love history, but I didn't feel like me were always told the truth. First off who was around to tell Washington chop down the tree, how did we know it was a cherry tree. I feel like history has been misleading all my life. This book is wonderful I wish I had this book in school discussion we would had. I you are on the fence about purchasing this book, please go on you will not be disappointed.

Item received on 2/25/17 by mail. a Very interesting book, who tells us more detailed pieces from the American history than you ought to learn, often with several boring facts on school.Kenneth C. Davis gives a very realistic picture of what was going good and wrong during the American history, and the influence in their concerned world.Again, the right literature that fills in the gaps of what we really didn't know.

If you're like me and don't remember much from American history classes in school, this book will help! I always hated history and didn't retain much of what I learned, so now that I'm trying to teach my kids I needed a refresher course. This book hits the highlights of history and does a great job of explaining everything. I feel like I've learned a lot.

Not a scholarly exposition of US history, but a fun way to get the essential facts. Great for youth and adults who are bored with the thought of learning history. If all US citizens knew history even at this level, our choice of public officials would be very different.

Obviously the title of the book is a misnomer. It is clear from the start that it is concerned only with American history. The goal of the author is to make history interesting so that people who have dosed off in history class can get interested again. In that regard, the book is successful. There is a strong narrative flow and a suspense that keeps you turning pages, despite the awkwardness of the question-answer format and the annoying repetitiveness. Pluses include the "voices", excerpts and quotes from historical figures and documents, as well as a long list of book recommendations for those wishing to delve further.The book suffers from major flaws, however: in many places, it is shallow as well as selective in its choice of topics. Much of the book boils down to a narration of "facts" without much analysis, the kind of information you could get reading headlines in news archives. While there is an argument for not making the book excessively long, much space is wasted by those "timelines" of every war and crisis that serve no purpose other than to bore the reader to death.Secondly, the selective choice of topics is most visibly felt in the area of foreign policy. Much of the outside world is disregarded until it makes itself felt (e.g., during a war). In this, the book is symptomatic of isolationist American culture as a whole, where people will look up a country only after we have troops there. That tendency to ignore the outside world is precisely why American foreign policy is in shambles. If a book that proclaims the wish to re-educate Americans about history is woefully inadequate when it comes to describing America's relation with the outside world, then there is no hope!As an example, I choose the Middle East. That region, of vital importance to the US, recipient of the bulk of US foreign aid, heavy trade and influence, and location of most of America's recent wars, is brought up in only a few places. A few pages are devoted to it in connection with the Arab Oil Embargo, without much explanation of the background - why the Arabs and Israel were fighting. There is no real discussion of the question of Palestine, the deep injustice most people in the Arab world feel about that issue, and the role of the US in creating and perpetuating that injustice. The US role in the failed Peace Process of the 1990s is completely absent. The book talks about the two Iraq wars, again without much background as to the whys. There is no mention of how, throughout the 1990s, Dick Cheney and others in the subsequent Bush administration were lobbying Clinton for an Iraq War. There is no mention of the Caspian Oil pipeline, again a desire since the 1990s and one of the major reasons for a war in Afghanistan.Finally, the book is more or less a "names and dates" book. Too many pages are devoted to descriptions of presidents and their campaigns, and too few devoted to describing how ordinary Americans lived. A much better read is Howard Zinn's "A People's History of the United States", but even that has gaping holes in foreign issues, especially when it relates to the Middle East.

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Don't Know Much About History, Anniversary Edition: Everything You Need to Know About American History but Never Learned (Don't Know Much About Series), by Kenneth C. Davis PDF

Free Download Scrapbook: Uncollected Work, 1990-2004

Free Download Scrapbook: Uncollected Work, 1990-2004

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From Publishers Weekly

Tomine's comics series Optic Nerve has made him a cartooning icon for the disaffected, 20-something subculture. His work is instantly recognizable—clean-lined, understated, psychologically acute—although his subject matter (young hipsters listening to indie-pop and hitting emotional roadblocks) gets somewhat repetitive in large doses. As its title suggests, the attractively produced Scrapbook collects bits and bobs that didn't make it into Tomine's earlier books: one-page strips about music and heartbreak from Pulse magazine, a few pieces for magazines like Details and Giant Robot, and some pieces abandoned after a page or two (and, in some cases, later reworked). The collection also includes a long sketchbook section, which, Tomine notes, is modeled on similar projects by Robert Crumb and Chris Ware: drawings of people he sees in public, copies of interesting pieces by other artists, casually doodled comic strips without the polished surface of his "finished" work and commentary on his own artistic process. The book's most entertaining section is devoted to Tomine's commercial illustration work: album covers, New Yorker illustrations and a few advertising posters, in which a single, heavily stylized image suggests an entire narrative. There's little that will surprise Tomine's fans, but it's an entertaining look at the evolution of his style. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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From Booklist

Tomine has been drawing his alternative-comics magazine Optic Nerve for more than a decade but, since he began publishing at 16, still has the aura of a young turk about him. Yet here is this "odds and sods" compilation of that veteran's staple, uncollected work. First up are some 40 brief early strips, chronologically presented to verify Tomine's impressive development as illustrator and storyteller. Like his later work, most of the early stuff sympathetically depicts the alienation and loneliness of Tomine's twentysomething compatriots, but in vignettes rather than short stories; the best are minor masterpieces of concision. The book's second section documents Tomine's successful sideline as a commercial artist, gathering illustrations for the New Yorker and other publications, album covers, movie posters, and other jobs. The third section, devoted to Tomine's sketchbooks, constitutes something of a revelation. The relaxed roughness of these drawings makes one wish he would inject some of their attractive looseness into his sometimes suffocatingly stiff comics work. In all, an impressive demonstration of this still-developing artist's talent and versatility. Gordon FlaggCopyright © American Library Association. All rights reserved

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Product details

Paperback: 203 pages

Publisher: Drawn and Quarterly; 1 edition (June 1, 2004)

Language: English

ISBN-10: 1896597777

ISBN-13: 978-1896597775

Product Dimensions:

8.5 x 0.6 x 11.8 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#904,565 in Books (See Top 100 in Books)

Dedicated Tomine fans will likely enjoy this collection of early work, commercial work, and sketches

"Scrapbook" is just that, a mix of comic strips, commercial artwork, and sketches from his notebooks. Some of the comic strips remind me of the 32 Stories book where Tomine's early 90s work is scratchy and largely amateurish compared to his standards today. That said they show a master of the medium learning the ropes, seeing what works and what doesn't. The stories vary from 6 panel short stories to 24 panels. One of them shows a couple breaking up in parallel to their favourite band "Crabwalk" breaking up. Later on, Tomine redoes the same strip, almost panel for panel, except with the knowledge that it is now based on a real life relationship of his and he changes the band to the Pixies who had broken up at that time. It's interesting as it shows the confidence Tomine's gotten in the 2nd strip to the 1st, and also because I like the Pixies.The design work is wonderful, ranging from CD album artwork for bands like Weezer and Eels (his drawing of E is magnificent), to adverts for Coca-Cola, posters for local events, promos for Drawn & Quarterly. It all shows Tomine's range and some are so good I wish I had them as posters to put up. The sketches too are excellent and show how a comics artist creates his strips in utero. Very cool stuff.Fascinating book, great artwork, just don't expect a graphic novel like "Shortcomings" and think more along the lines of "32 Stories" with extras. Good stuff.

This book can serve as either an introduction to Tomine's work or to fill in the gaps for his dedicated readers, of which I am the latter. From the perspective of examining his art work, as an artist myself who has admired and sometimes felt intimidated by his hyper-clean drawing drawing and coloring style, and his achingly perfect depictions of young women, it was very compelling to see how much experimentation he did with heavy inking styles and harsh figures before somehow making the leap in a year or two long period to his current style. It's also revealed that indeed he does copy from fashion catalogues as well as drawing from life, though his work from nude models is less masterful. Finally, a collection of published illustrations from various major magazines and record companies cement his reputation as one of the most striking, poignant and relevent cartoonists of his time. I would have given this book five stars were it not for the fact that it simply does not contain any of the comic work of his that is truly wonderful, and of course this is because all of those pieces have already been collected elsewhere.

I should say up front that I am very biased in favor of Tomine; he is one of my favorite modern comic artists, and in my opinion one of the very best. But when I saw the title "Scrapbook," I was hesitant; I usually avoid such books from even some of my absolute favorite artists, because most consists of drawings and art only - there is typically very little to "read," if that makes sense - without getting a long rant about the various functions of comics. However, I was pleasantly suprised to find that this contains a lot of work with text; it is a book you can "read" just as much as you "look," and it just goes to show how artists like Tomine are revolutionizing terms like "comics," "literature," and even "text." It shows that he isn't just an artist that employs text, nor a writer who can draw - he is a comic artist, meaning he creates moments, stories, and ideas into the one comic medium, which consists of both text and art. If you have never read his title Optic Nerve, get that first (collected under the titles Sleepwalk And Other Stories, and Summer Blonde); however, if you've already read those and are hungry for more while anxiously awaiting the next issue of Optic Nerve (which is usually a year or more between issues), then it will be worth it, I promise.

I've been an avid reader of Adrian's stuff for years and purchased this collection a few weeks ago. It is quite interesting to see how his artwork/storylines have changed over the tears, as well as see some items that I've never even heard of (album cover and magazine pieces, for example). I think the 32 stories collection is better if you wanted an intro collection, but I think this is quite worthwhile.Adrian is one of the best, most poignant if that is the best word, storyteller and artists around today.

Great collection of stuff. It displays the diffrent types of his work from the serious comics, the cartoony stuff, posters ect...a fan of his art work would be pleased. The color and line of his work is as beautiful as ever.....and the black and white stuff...bla bla

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